On the Air This Week

Miracles DO happen!

After 22 years I will be behind a microphone and on the radio again!

I’ve been asked to be on Radio New Zealand’s “The Panel” on Wednesday 13 June as an actual panellist!

After making a few cameo appearances on RNZ last year (and a little bit of lobbying on Twitter) I was asked a couple weeks ago if I wanted to be on the show – I leapt at the chance!

Since then I have been doing my best to preserve my voice, which has not been easy, as winter ills have struck almost everyone around me and I have lost count of how many times I have been sneezed and coughed on or near.

EEEwww!!

It’s a great opportunity – Not just for me, but for getting some more exposure for Napier and Hawke’s Bay, which I don’t think gets the level of coverage it deserves nationally.

I’d like to give a big thank you to RNZ Afternoon’s Executive Producer Caitlin Cherry for the opportunity – I hope I don’t let her, or Hawkes Bay down (or swear on air..).

No pressure, eh?

You can replay my appearance on The Panel’s RNZ page HERE.

2018: The Year NZ’s Media Networks Evolve or Die

“It’s evolve or die, really, you have to evolve, you have to move on otherwise it just becomes stagnant.”

Craig Charles

“Humanity is now faced with a stark choice: Evolve or die. … If the structures of the human mind remain unchanged, we will always end up re-creating the same world, the same evils, the same dysfunction.”

Eckhart Tolle

The annual reshuffling of presenters amongst New Zealand’s broadcasters started again recently.

The most notable change, being Hilary Barry taking over from the recently resigned Mike Hosking and Toni Street on what used to pass for current affairs on our “State Broadcaster” TVNZ.

A few National Party spin doctors got their noses out of joint that Barry’s replacement on TVNZ’s “Breakfast” show will be former Green Party candidate (and co-host of both Crowd Goes Wild and Back Benches on Prime), Hayley Holt, but all that really came down to was sour grapes at losing their biggest primetime soapbox.

But it did raise one question: Where is New Zealand’s new media talent?

This has been an issue for New Zealand’s commercial broadcasting networks for years.

I have previously written about how little change there has been in network radio talent in New Zealand over the last 20 years. It’s gotten to the point where almost 160, once “live and local 24 hours a day!” announcer positions across New Zealand were covered by a mere eight announcers in their network’s Auckland headquarters’ studios.

A handful of long-term, nationally simulcast announcers have either recently “retired”, or been moved on from positions they have had on the airwaves for up to and over twenty years, but with such a dearth of positions for those dreaming of, or studying towards a career in radio, the waste of talent time, and investment in qualifications must be utterly disenchanting.

Add to that the popularity of personalised music streaming services and I would almost go so far as to say that by drying up their own talent pool and personal, local touches, commercial radio networks in New Zealand have already gone past the point of no return – Dooming themselves to obscurity and oblivion.

But are their television affiliates heading down the same path?

A recent NZME article opines, in light of the Breakfast / Seven Sharp hosting announcements that TVNZ’s selection of hosts is a bit.. “monochromatic” – That is a mainly Pakeha pool of talent, with a penchant for blonde females. (The article doesn’t mention that at least two of these same blondes featured in the photo for the link to the article also host shows for NZME’s own simulcast radio network “The Hits”).

Hair colour aside there does appear to be a significant stagnation and evaporation effecting New Zealand television’s talent pool.

While Barry and Holt are in new roles, they are not new to our TV screens. Before moving to TVNZ Barry was, of course, a cornerstone of Mediaworks’ Three News before the TV network’s management seemingly tried to scuttle their own ship.

Most other hosting roles for “new” shows (we’ll get to that in a minute) on our screens are merely filled by long-term staff from other sectors of Mediaworks’ TV and radio empire, or TVNZ’s television and NZME’s radio networks being shuffled around.

The “newest” hosting talent that immediately comes to mind is Mediaworks’ Kanoa Lloyd and TVNZ’s Sam Wallace, both of whom started out on TV3’s Sticky TV, before moving to weather hosting/reporting roles and beyond on the rival networks.

Both Lloyd and Wallace have now been in the industry for 9-14 years respectively, making them almost battle-hardened veterans by modern media standards.

But it isn’t just the hosting talent that is getting long in the tooth – The shows they are hosting are becoming less and less “fresh” and original.

When TV3 rebranded themselves as #HashtagLoLSelfie, sorry “+hr=e” early last year it gave a bit of insight of what goes on (or rather what doesn’t) inside the minds of those who pick what we can watch on New Zealand’s commercial television networks.

“..The (TV3 brand) has been around since 2003. And 2003 was the year that Saddam Hussein was found in a hidey hole, everyone was using the Nokia 310 as a mobile phone, and Lorde was seven years old – the world has moved on right?”

“There’s some nights I’ve watched 7 Days and thought, actually, that brand is bigger than Three – seems like it’s been bigger than Three for a period of time.”

MediaWorks’ chief content officer Andrew Szusterman.

Here’s humour and irony in Szusterman using 7 Days as an example, and not just because it’s a comedy show, but because the show is based, amongst other things, on similarly formatted “Mock the Week” (first screened in the UK in 2005, while the TV3 brand was still “fresh” and “new”), but 7 Days’ core cast of comedians had been regularly appearing on the very same channel – TV3 – since 1996 on a show called “Pulp Comedy”.

That’s the same talent, largely unchanged, on the same channel for 21 years!

“..the world has moved on right?”

While the world may have moved on, programmers and content officers’ sights have clearly not.

Let’s look at some of the options “+hr=e” viewers had last year:

The most recent series finale of “The Block NZ” (the sixth since starting in 2012) ended in confusion, derision and claims that it might be signalling the end of the Auckland real estate boom, or it might just have been a signal that New Zealand viewers were tiring of play-acting dressing up as wall-to-wall renovation “Reality TV” shows.

After all, the original “The Block” had first aired on Australian television 14 years before in 2003.

“The Bachelor”, another of TV3’s “reality TV’ stable staples first screened in America in 2002, so it’s roses were likely getting a bit dried up and losing most of their petals and appeal.

Not wanting to be left out, TVNZ last year premiered the NZ incarnation of the Granddaddy of them all, “Survivor”, which started in America in 1997 .

That’s 21 years ago!

TWENTY.

ONE!

The world has indeed moved on, but those at the helm of New Zealand’s TV and radio networks have clearly not!

Rather than try to change and innovate, like their now far more successful streaming competitors, managers of New Zealand’s broadcast media merely shake their fist and yell at the clouds, or, like dinosaurs, just stare at the glow in the sky as the asteroid hurtles towards them.

Will 2018 be the year they finally become extinct?

Don’t You Forget About HB

DFAHB

Kermit the Frog once sang “It’s Not Easy Being Green”.

Over recent years it’s also not been easy being regional New Zealand after almost a decade of neglect and lack of economic development from central government.

Just like in New Zealand’s media, main centres, especially Auckland, ruled supreme and sucked up all the infrastructure, attention and economic prosperity, whilst regional centres just didn’t matter.

In 2014 then Finance Minister, Bill English, was visiting Hawke’s Bay and was quoted saying:

“Hawke’s Bay’s seasonal low-wage economy “isn’t going to change in a hurry, so let’s get good at it.”

What a pathetic cop-out by the person supposedly tasked with looking after the whole country’s prosperity and economy!

Fortunately, (depending on your political stripes) we have just had a change in government and the incoming Labour / New Zealand First / Greens coalition campaigned on platforms of regional development.

Hopefully places like Hawke’s Bay will soon start to see the benefits of such policy.

Because, over recent years, Hawke’s Bay has been all too easily forgotten.

Non-Nation-Wide Tours

When I saw the headline that New Zealand’s own native songbird Lorde had announced a “New Zealand Tour” I thought “This would be cool – I hope she comes to Hawke’s Bay!”

Imagine a Mission Concert headlined by New Zealand’s latest great songstress!

Lordey2

But it wasn’t to be.

She was barely even scratching the surface of potential venues and destinations – more “whistle-stop” than nation-wide tour.

Lordey1

Media Misses the Mark

As you may have perceived, I have developed a growing lack of faith in New Zealand’s simulcast network media.

This was only deepened a year or so ago, when one such network held a “Provincial Pick Up” promotion.

Starting in Invercargill and taking the “path less travelled”, by visiting regional centres like Timaru, Ashburton and Blenheim it started reasonably well.

But having crossed Cook Strait and stopped in one of Wellington’s biggest suburban areas of Porirua, its next stop was… Taupo.

Not Levin, not Palmerston North, and CERTAINLY NOT Hawke’s Bay where, you would think bigger population bases would have provided more coverage, attention and contestants.

To rub salt into the wound the “map” that accompanied the competition’s page featured a rather clear indication that the Provincial Pick Up would be heading to New Plymouth, when this wasn’t the case.

Provincial

As part of its final leg, the tour would make at least four stops in (as far as you can get from provincial New Zealand)” Auckland.

We Even Get Left Out of Memes!

Coldaf

During a recent winter cold-snap the entire country shivered through some very bracing temperatures.

In true wise-cracking kiwi fashion someone made up an alternative weather map of New Zealand to illustrate just how cold we all were.

The majority of regions labelled “Cold AF” (or “Cold as F***” for those who took English class Pre-2010).

All but Hawke’s Bay!

Now, we are known for enjoying a far more temperate climate than the rest of New Zealand in Hawke’s Bay, but I was here during that time and I can confirm to being one VERY “Cold AF” (the far more “G” rated, name-related acronym, that is) during that time!

Hawke’s Bay – A Technological, Astronomical Region!

Many may have perceived “Regional Development” as “Rural Development” – focusing on farming and other primary industries.

This is not necessarily the case.

The combined population of Napier and Hastings is around 130,500 – making us the 5th largest population base in New Zealand (Hamilton = 150,000 Tauranga = 128,200) – far from the sort of small, rural town that gets ignored more often than not.

Fortunately Hawke’s Bay has a lot of smart, adaptable and ingenious people, so while we were ignored by external assistance, we took the words of Napier’s Douglas MacLean:

“A country made progress despite of its politicians”.

A prime example of this has been the creation of a “Tech Hub”, with anchor tenants Now and Xero opening in Napier’s seaside suburb of Ahuriri.

This has been something I’ve been passionate about and pushing for years – even since one of my first Napier in Frame posts.I would love to think I had some form of influence over such developments, but no one has told me so and I haven’t received any medals, certificates or knighthoods as a result, so I guess not 

But the fact Hawke’s Bay has still been able to make these technical and economic advances as a region is still great to hear.

And how many other New Zealand cities or regions have their own rocket launch facility?

So slap that old John Hughes classic in the VCR, crank some Simple Minds on the stereo and pump that fist in the air.

Because this region has just started going from strength to strength, so Don’t You Forget About HB!

jZgre

Everything is Awesome!

Earlier this month I was surrounded by smiles.

Adults and children alike beamed, stared, gazed in wonder, uttering various “Ooh”s, “Ah”s and “Cool”s!

I was at the inaugural Hawke’s Bay Brick Show at Taradale High School.

Organised by the Hawke’s Bay branch of WELL-LUG (Wellington Lego User Group) It was a weekend of brilliant bricks, cool creations and pure joy:

Fine sets of figures:

20170506_095104

Kitset creations from Lego’s massive range of licenced products – Star Wars being a clear favourite:

20170506_100412

And even some awesome freelanced displays, like this Lego Marae:

20170506_101018

One particular display caught my eye:

20170506_100814

It was an automotive workshop and it took me back to when I was about ten and my dad took me to a scale model truck show at St Patrick’s School in the 80’s.

Along with exquisitely made logging trucks, dump trucks and other big rigs, I will always remember one diorama of a garage which, while it didn’t have any vehicles in it, did have engines, parts, jacks, lifts and tools all laying about the workshop as if the scale-sized mechanics had just left for morning tea and were about to return at any moment.

It was one of the things that set me on a life-long love of models and how deeper levels of detail can make all the difference.

Walking around the Brick Show I saw that same look on faces young and old that I had seeing that model workshop all those years ago – Intrigue, wonder and inspiration.

I think it even wore off on our daughter who talked about Lego for several weeks afterwards.

Lego

The next step is for us to make a scale model plane together – She’s very keen and I’m delighted of share one of my hobby loves with one of my biggest human loves.

“Everything IS Awesome!”

In Honour of Messrs Ball & Clarke – We Don’t Know How Lucky We Were

‘Righto, kick it in the guts, Trev… ‘

Satire, it is wonderful, satire, it is swell,
‘Coz it opens up the public’s eyes and gives politicians hell.
New Zealand really needs it now to crack the PR shell,
So it’s time to get smart and satirical kiwis!

If it weren’t for Ball and Clarke, where would we be?
Sucked in by “The Bachelor”, or pizza with spaghetti?
‘Coz no-one would know how to take the piss, or even the mickey,
If we didn’t have satirical kiwis!

Now National and their moneyed mates, they haven’t been a hit.
They’ve screwed over our country, more than just a bit!
If we don’t stop or question them, we’re all in the turd,
So it’s time to get smart and satirical kiwis!

If it weren’t for Ball and Clarke, where would we be?
Believing only the richest deserved to own property?
‘Coz no-one would know how to take the piss, or even the mickey,
If we didn’t have satirical kiwis!

They’ll tell you how Sonny Bill wears his kit is worth an inquiry,
But not child abuse in State care, or a dead Afghani?
Their priorities are ‘up the booay’; it’s clearly plain to see,
So it’s time to get smart and satirical kiwis!

If it weren’t for Ball and Clarke, where would we be?
Thinking Mike Hosking was the best thing on TV?
‘Coz no-one would know how to take the piss, or even the mickey,
If we didn’t have satirical kiwis!

Whenever I “consume my media”, satire is a must.
It helps me tune out talkback twaddle and TV news bulldust!
They’ll tell me Auckland is the centre of the universe, I say “that isn’t just”!
Thank Dog for satirical kiwis!

If it weren’t for Ball and Clarke, where would we be?
Thinking we’re all inferior, or a tall poppy?
‘Coz no-one would know how to take the piss, or even the mickey,
If we didn’t have satirical kiwis!

Good Riddance, 2016 (Time of your Life, 2017)

cyoa

“2016 is the year I shall fart rainbows and poop unicorns!”

That was the first line of the first entry in my diary for last year.

As it turned out there were a few rainbows, the odd, rare unicorn and a fair bit of poop.

Speaking of equines and poop, 2016 started with HB Ratepayers being asked to look their Gift Horse (of the Year) in the mouth, while mucking out the event’s financial stables.

"Where are we going, Wilbur?"

“Where are we going, Wilbur?”

In February I was feeling a little unloved and unappreciated as, even before #StuffMe merger hype and propaganda was ramping up, at least one of the proposed partners was proving they couldn’t even credit the right person when taking the mickey out of another media organisation’s portmanteau.

However, the power of social media showed that far more important people were listening to me when the Office of The Auditor General replied to I tweet I sent them over Hawke’s Bay Regional Council’s on-going Ruataniwha Water Storage Scheme fiasco.

oag-2

Everything was plodding along happily until March came along and tried to wipe me off the face of the planet.

A month in Hawke’s Bay and Wellington hospitals changed perspectives and gave me a lot of spare time to write what has been some of my best stuff.

BizWire

Recovery and getting back into normal life meant not much time for writing posts.

The recent upheavals could have been the reason for some retrospective maudlin in June and lack of self confidence and loss of direction in August.

@Oatmeal Nails it once again :/

@Oatmeal Nails it once again :/

But Mediaworks scrapping what I still consider one of the finest and longest-running television shows EVER could not go unchastised in June.

Health issues and uncertain immediate future scuppered any plans I may have had to run for Napier City Council this term.

But there were other, more concerning democratic issues clouding those hopes too.

g

My concerns actually made the local paper just before the election and did effect some change. Though the biggest concern I had – the “gagging” Code of Conduct still remains.

In September, after months of what I and many others considered Napier’s 60+ year old skating club getting some unfair treatment from Napier City Council, I wrote another piece that proved very popular and once again featured in the local paper.

Skating Fish

Ultimately, though, the skate club’s facility is long since demolished. The club has not been reimbursed and the errors it had put upon it are unresolved.

Those posts and their other printed pieces received a lot of attention, however, which was very welcome. Because it showed that local people STILL care very deeply about local news and issues – Something media networks and #StuffMe proponents still seem utterly oblivious to.

Those local concerns, this time over Hawke’s Bay Regional Councillors’ behaviour and the debt the organisation was set to burden all its ratepayers with for the benefit of a few in the Ruataniwha area, did at least see some positive local government change, with the balance of power tipping from pro-dam to anti-dam in this year’s elections.

db

I finally got my cool cyborg parts in October and we closed out the year with our traditional “Twelve Days of Christmas Deliciousness” menu review.

I would love to say I helped democracy and righted wrongs this year, but that wasn’t the case. I helped shed light on what I considered were problems and wrongdoings, but those issues STILL exist.

That’s a real disappointment.

Though, given the interruption my life had in March-May, I guess it wasn’t a bad run for the rest of the year.

And, as I’ve written many times this year already: “There’s always someone out there worse off than you”.

There is still 2017 (and hopefully many more years) to come to get some good achieved and points on the board.

Now, does anyone know of a good unicorn dealer in Hawke’s Bay?

dgf

Twelve Days of Kiwi Christmas Deliciousness: 2016 Edition

For what must be at least a decade now, MrsinFrame has been coming up with a special 12-day menu to celebrate the “Twelve Days of Christmas”.

She alternates each year between the traditional and the New Zealand version, otherwise known as “A Pukeko in a Ponga Tree”.

This year was the Kiwi Christmas Deliciousness Edition.

Most of the dishes have a direct correlation to the songs (Five Big Fat Pigs = Pork/Ham/Bacon), others use a fair chunk of artistic license – I’ll do my best to explain as we go.

This year’s menu plan actually went missing just a few days before we were to begin and resurfaced (albeit too late) on Christmas day (It’s a Christmas miracle!), so while we managed to remember most of the initial dishes, there were a few we made up on the run. As a result there may be a few dishes we re-do and post later on – We’ll let you know!

So sit back and enjoy as I reveal what my true love made for me over the Twelve Days of Kiwi Christmas Deliciousness for 2016:

A Pukeko in a Ponga Tree

one

Blue Cheese and Spinach Parcels:
The blue of the cheese represents the Pukeko, while spinach represents the foliage and the flaky pastry looks like flakes off like Ponga Tree bark.

Two Kumara

two

Sweet Potato and Marshmallow Bake:
While this dish is more common on American Christmas and Thanksgiving tables, we like to mix up our meals a bit and Kumara is a sweet potato, so it was a good fit.

Three Flax Ketes (“Kits”)

three

Baked Bread Basket:
Woven flax Kete are used as baskets and bags, so this delicious bread basket filled with feta, spinach, olives tomatoes and prosciutto matched up nicely.

Four Huhu Grubs

four

Caramel-filled Éclairs on Chocolate Cake Dirt:
Huhu grubs are a creepy crawly delicacy at most “Wild Food” festivals, mainly for their gooey-squishiness when you bite into them, so filling small éclairs with gooey caramel seemed a wonderful take on the idea.

Five Big Fat Pigs!

five

Sloppy Porchettas:
Five big Fat Pigs make a lot of pork mince, While all the vegetables that go into the accompanying giardiniera would keep your average Captain Cooker or Kuni-kuni quite happy.

Six Pois a Twirling

six

Spaghetti and Meatballs:
We had some (ok, a lot of) pork mince left over, so meatballs seemed a logical step to represent the ball part of the poi, while the spaghetti represents the string.

Seven Eels a-Swimming

seven

Garlic Butter Mussels:
While Green-lipped Mussels aren’t great swimmers, more just hangers-on they, like the Longfin Eel, are native to New Zealand.

Eight Plants of Puha

eight

Faux Pho-ha:
Puha is a green, leafy green, wild vegetable that usually grows near water, so we made a Pho soup with mint, coriander (leafy green herbs) and meatballs.

Nine Sacks of Pipis

nine

Pipi Truck-style Pizza:
The Pipi Pizza Truck is a bit of an institution her in Hawke’s bay, so tonight’s pizza paid homage to the Pippi truck and the bivalve mollusc.

Ten Juicy Fish Heads

ten

Thai Fish Curry:
I can’t stand having my food staring blankly back at me, and MrsinFrame wouldn’t let us have fish and chips, so a lovely Thai fish curry was a great compromise.

Eleven Haka Lessons

eleven

Black Pudding Sausage with Eggs and Fresh Pea Mash:
The Haka is, of course, synonymous with New Zealand’s national rugby team, so it was fitting that we had (All) Black pudding sausage, with the innards of rugby ball-shaped eggs and the Pea Mash representing the green rugby field.

Twelve Piupiu Swinging

twelve

Skirt Steak with Broccoli and Mashed Potato:
Piupiu are a Maori grass skirt, so skirt steak seemed a suitable way to close out this Twelve Days of Kiwi Christmas Deliciousness.

We hope you’ve been inspired to try some of these, or your own version next Christmas.

From the Napier in Frame family to yours, we wish you a Merry Kiwi Christmas and a safe and happy New Year!

I Want to Believe

Andrew's self-confidence, last seen heading into the gaping vacuum of space...

Andrew’s self-confidence, last seen heading into the gaping vacuum of space…

“If just one person believes in you,
Deep enough, and strong enough, believes in you…
Hard enough, and long enough,
It stands to reason, that someone else will think
“If he can do it, I can do it.”

And when all those people,
Believe in you,
Deep enough, and strong enough,
Believe in you…
Hard enough, and long enough

It stands to reason that you yourself will
Start to see what everybody sees in
You…

And maybe even you,
Can believe in you… Too!”

The Muppets – “Just One Person”

Self-esteem has a major, critical failing (ok, maybe several).

Whilst, as the name suggests, it is focused on esteem or confidence in one’s self, it really helps if there are others there to encourage confidence in that self as well.

So it kind of figures that self-esteem has been as hard for me to come by as real-life recognition or praise recently.

I’m trying to remember the last time someone complimented me in person – said “well done!” “good job!” “You’re hired – here’s $100,000!”(ok, I’m pushing the limits of reality there..) and nothing comes to mind.

Twenty years ago I finished working in radio (for the record, I started working in radio on New Year’s Eve 1995).

While I’m confident I could still wipe the floor content-wise with what qualifies as “on-air talent” today, you will likely never hear my beautiful bassy voice on the radio ever again – and not just because I’m inclined to swear lots more than I used to.

I tell people my dream radio career lasted only six months because I had too high an IQ and too low an ego (the other reasons were rubbish pay and trying to stay awake for 24 hours each Saturday).

I just couldn’t fake the level of self-belief required for radio.

And this was ‘90s-radio-level bravado I’m talking here – absolutely nowhere near the stratospherically narcissistic / Ninth Circle of Dante’s Inferno that it has become today.

But, while my radio career was muted, my voice was not silenced.

From an early age I learned the power words can wield.

So I started writing.

I’ve written stories, poems, radio ads, press releases, pieces for work newsletters, letters to the editor, Man About Town columns for “BayBuzz”, opinion pieces in Stuff and even a couple articles in the local paper many years ago about growing up in Napier in the 1980’s and my love for my home town.

My Dad was always my biggest supporter.

He believed in me.

He kept newspaper clippings of every letter or item I had in the paper and even some of the more colourful reactions!

Three years ago I started writing Napier in Frame.

It’s not a profession – I make no money from my writing.

I have a full time job and a young family to support which is my priority, so I can only write when I have the time or inclination.

I still wrote the occasional letter to the editor, when something utterly atrocious stood out – Art Deco buses and the miss-management behind MTG’s construction were stand-outs.

But I steadily shifted towards writing on this site and promoting it via my Twitter and Facebook profiles.

People who know me even say “I haven’t seen your letters in the paper recently” when I see them in the street. I tell them about this site, but they seldom seem interested or even aware of a world wide web beyond traditional print media.

Two years ago my Dad died suddenly.

I kept writing – it helped me cope and process things, but it kind of felt like any support, luck, or belief anyone had in me died too.

I’ve written, what I at least think, is some of my best work since then – The coverage of my recent stay in hospital received plaudits, but these are predominantly from friends online.

This is where things get a bit confuddling.

FM

Positive reactions are always good to receive, but self-doubt (self-esteem’s arch-nemesis) can begin to creep in.

Someone (usually a friend) gives you a compliment on Facebook or Twitter and you automatically discount it – “Of COURSE they’d say that, they’re your FRIEND!” Or “It’s ONLY social media – it’s not ‘REAL’” – sabotaging yourself and your abilities.

Even when you point out something that you think is blatantly wrong – Like hypocrisy over the Ruataniwha Dam, or the local newspaper covering Hastings District Council bailing out Horse of the Year, when the event’s board said in the same paper just weeks before they themselves would cover the loss and nothing is done.

The “bad guys” win.

Worse still can be spending years developing and making your case for a way to improve the city you love and the region you were born and raised in.

That idea gets local and national coverage.

Heck, even John Campbell likes it!

JC

But when you approach people you believe have the resources, funds and it’s in their best interests to actually enact your idea and the response is nothing – silence.

In this gaping vacuum of space no one can hear you scream in frustration.

I’ve had similar responses trying to rejig New Zealand’s flailing mainstream media – But the general consensus there is

“What would he know? He’s only from Hawke’s Bay!”

If I’m wrong that’s not a problem. You can learn from mistakes and correct them.

But no one has told me I’m wrong.

People tell me they “admire my passion” and am constantly queried on how I would achieve the goals I seek.

I tell them, but they don’t offer to help and “passion” won’t pay the bills, or finance what I have planned.

What if I’m right and no one cares to help try and make a difference, to help effect change or fix the problems I’m trying to remedy?

Ignoring problems doesn’t solve them or make them go away.

But ignoring people who are trying to fix problems makes the people go away – lose hope, lose self-esteem and confidence.

Imposter

I’ve become quite philosophical and theological about it:

“If Andrew makes a factual statement and no-one notices or cares, is he still right?”

“Before THE WORD, or there was light, or even the Big Bang, Andrew was wrong”

When the negativity or gaping vacuum of ignorance gets to you and makes you glum, sad, or grumpy and strips away your self-belief, you’re STILL wrong – Because being glum, sad, or grumpy isn’t allowed – You’ve apparently got to be happy, positive and smiling All. The. Time?!

This isn’t one of those inspirational stories of the little struggler, the battler, who overcomes adversity to triumph.

It is the tale of someone who has been told they’re wrong when they’re not, who has been ignored and unappreciated long enough for it to essentially become a default setting – a shitty-mood Stockholm Syndrome.

@Oatmeal Nails it once again :/

@Oatmeal Nails it once again :/

Having to spend a few weeks in hospital pales in comparison.

Shakespeare said we only have an hour upon life’s stage to strut and fret before we are heard no more.

I want to make a difference in that hour, but I can’t do it alone.

I need support, I need people to believe in me.

I need to believe in myself.

I want to believe.

Mourning Mediaworks’ Muppet Muting

sesame

“Sometimes you’re crazy
And you wonder why
I’m such a baby, yeah
‘Cause The Muppets make me cry”

Paraphrasing “Only Want to Be With You” – Hootie and the Blowfish

Someone told me a while ago that I “suffer from nostalgia”.

I thought it was an odd expression, as rather than “suffering” from nostalgia, I find it far more “comforting”.

“Nostalgia is learned formation of a Greek compound, consisting of νόστος (nóstos), meaning “homecoming”, a Homeric word, and ἄλγος (álgos), meaning “pain, ache””

I did, however, feel a great deal of pain when I learned that one of the best television shows of all time, Sesame Street, will be leaving NZ free-to-air television screens from the end of June when Mediaworks’ “Four” channel is rebranded “Bravo” and degenerates into wall to wall “hyper-reality” television.

Some shows have already been given new timeslots on Four’s network sister channel “3”, but notably absent was Sesame Street.

Perhaps the network is still a bit grouchy that an almost 50 year old children’s show out-rated their much-vaunted “current affairs” breakfast venture

This coming November, Sesame Street will have been a friend and teacher to billions of children across the globe for 47 years – that’s one hell of a feat in the fickle world of television!

Launched in 1969 by Joan Ganz Cooney and Lloyd Morrisett one of the things that made so many people love Sesame Street has been its cast centrally featuring Jim Henson’s Muppets, puppets and Monsters.

Often zany and silly but never condescending to its young audience, Sesame Street has become the inspiration and benchmark by which many people judge not only children’s television, but all television since.

While teaching pre-school basics like the alphabet, counting, colours and opposites, it also deals with making friends, manners, feelings and other important social and personal issues.

One particular Sesame Street piece has burned itself into my memory (have a box of tissues handy):

When Will Lee, who played shopkeeper “Mr Hooper” (“Hooper’s Store” still bears his name as a memorial) died in 1982, rather than recasting the role, or saying Hooper moved away or retired, Sesame Street’s producers decided to deal with the issue head-on and created an episode that taught their young audience about the difficult topic of death in an honest and straightforward way.

I would have been five when the episode originally aired and some of my earliest memories are of going to the funerals of elderly grandparents and relatives, while not fully understanding what was going on.

That episode made things much clearer and easier to understand.

I cried watching it.

I still cry watching it today.

I wasn’t the only one – Legend has it the piece was shot in one take and there wasn’t a dry eye in the entire studio, in front of or behind the cameras, once it was done.

Jim Henson’s work and his creations blossomed from Sesame Street, as did the world’s love for them.

When he died in 1990, leaving behind a legacy of Muppets, movies, Fraggles, Sesame Street and many other beloved shows all his creations got together for one last show called “The Muppets Celebrate Jim Henson”.

Whilst the special centred around Henson’s other most well-known creation – “The Muppet Show” for the finale – a song called “Just One Person” almost all his creations appeared to sing a gorgeous eulogy to the great man, the amazing talent from where they came.

I cried watching that too, because being an only child, television had been one of my biggest inspirations and windows on the world before I started school.

The Muppets, Fraggles and Sesame Street characters had become more than just puppets to me – they were my friends.

I saw what Henson could do on multiple levels – Not just cute, fluffy, talking toys, but almost sentient beings with a drive behind them – to teach, to care, to love.

I believed in them.

And I believed the words to that song – That “Just One Person” can make a difference.

There will, of course, still be access to Sesame Street videos and episodes online from July, but internet access can be an expensive, unaffordable luxury for many.

This availability of Sesame Street on free to air television has had wide reaching benefits with studies showing it has just as many developmental and educational benefits for children as going to pre-school which some cannot afford, or be geographically able to attend.

So, when Toddler in Frame and I watch Sesame Street for the last time on TV Four this weekend, she may wonder why Daddy is crying.

It’s because I’ll be pitying the next generation that isn’t getting to see it the way so many grew up with.

The genius, the love, the knowledge and empathy they will miss out on – replaced by cheap, commercialised, fake rubbish.

Future generations deserve far better.

Post Script: The Muppets do remain on Free to Air television in New Zealand in case you were worried: Mediaworks’ opponent, TVNZ, picked Sesame Street (and a new series “The Furchester Hotel”) some six months to a year after it was removed from Mediaworks screens, so its genius still remains to inspire young kiwis 😀

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When I saw it crumpled up on the floor of that hall, maybe I should have just given up there and then – Saved myself 20 years of work, stress, time and pointless hope.

Because it was right – A portent of things to come.

No matter how hard I tried or what I did, it wouldn’t be enough. I wouldn’t be good enough to achieve the goal – the DREAM it symbolised.

It was 1997 and I was volunteering for the Hawke’s Bay Cancer Society as a “Youth Health Promoter” – particularly aimed at Smokefree initiatives – the “cause célèbre à la mode”.

I had been doing it for a couple of years, having decided I didn’t want to go to university upon finishing high school, I instead worked at a local radio station for six months and when I saw the Cancer Society’s “proper” health promotion lady in a community newspaper promoting some event, I thought I’d like to help out.

So I did.

I’ve always had great promotional / “sales” skills (though I much preferred “selling” ideas rather than the unrealistic, ever-increasing “sales goals” variety) and, like radio, I got a kick out of the performance aspect of promoting stuff – being unconventional, finding different, memorable ways of doing things.

We gave presentations in schools, held a camp for high school leaders to help spread the Smokefree message, went to Wellington to film a segment for a youth TV show called “Get Real” (that never made it to air because the “tape got lost”) and held Smokefree Speech Contests.

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I had even been selected to be a (expenses paid) New Zealand representative at an Australasian youth health conference in Sydney (my first overseas experience) – So I must have been doing something right.

I was having a great time. I enjoyed the work (although I also had to work part time in a supermarket for income). I did interesting things and got to meet great people.

I was meeting so many people I wanted to learn from and keep in touch with that I made up my own “business cards”.

Inkjet printed on green cardboard, they weren’t the pinnacle of professional imagery, but I was merely a volunteer and it was all I could afford.

That is when it happened.

I had only just made them the week before one of the speech contests and handed two out at the event. I can’t remember who I handed them to, but I remember seeing one in someone’s diary – used as a bookmark as they left.

Then I saw the other one.

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It was scrunched up, lying on the floor close to where I had given it to whoever it was.

The purpose of the card dead before it hit the ground.

I felt a bit crap and hurt about it at the time – That what I was doing had been discarded so thoughtlessly, but I moved on.

The compulsion behind throwing the card away didn’t.

It persisted – An origami albatross around my neck.

I had been doing this work voluntarily for two years and loved it so much I wanted to make it my career – to make a living out of it.

I asked those involved professionally what I should do and was told I had to get a tertiary qualification in marketing or something similar.

So, combining my volunteer work and an actual paying job, I added a one year, full time “Diploma in Marketing” course from Napier’s own Eastern Institute of Technology to my work schedule.

I passed, acing the communication aspects of the course and graduated with an A4 certificate, a few thousand dollars’ worth of student debt and, as it turned out, nothing more.

I applied for well over 50 marketing-type jobs in the years immediately after my graduation and equally got well over 50 rejections.

Many years later I was asked to do a short video for Baybuzz on what I thought Hawke’s Bay needed – in a take that ended up on the cutting room floor I symbolically crunched up and threw away a copy of my marketing diploma – that was what it is worth to me.

I still volunteered for the Cancer Society. They were great and very supportive, but being a charitable organisation they couldn’t afford to pay me.

In 1997 I had been to the (“Smokefree” it was at the time) “Stage Challenge” at the Hastings Municipal Theatre.

I fell in love with it.

High school students perform a piece of theatre on a (usually social or historical) topic of their choice to music over eight minutes.

It was loud, energetic, colourful and amazing – If you haven’t seen a performance before, it’s basically a Baz Luhrmann musical movie amped up to 11 by teenaged hormones, pheromones and whatever the loudest, most energetic music of the day is.

So in 1998 I made direct contact with the company who ran it at the time from rural Victoria Australia and offered to help and went around Hawke’s Bay high schools getting as many as I could involved in the event.

The previous year two HB schools had taken part; I managed to up that number to five, with another two schools I had approached joining in the following year.

Our local DHB’s Health Promotion Unit was the “official” local supporter of Stage Challenge in Hawke’s Bay. So I approached them to see if we could team up promoting the event – going around schools, getting stuff in the paper and on the radio.

In the end it was just me that ended up doing those things – The DHB set up a table with some health-related pamphlets at the theatre on the day of the show. That was pretty much their entire involvement.

The 1998 Hawke’s Bay Stage Challenge was a high energy, feel-good success and enjoyed by almost all involved.

I say “almost” because I was the exception.

I loved the performances, the energy, the music and the passion the teams put into and got out of their performances. The school teams thanked me for my help and input.

Having spent several months going around the region, promoting the event and almost TRIPLING the number of local schools competing I had to ask the show’s producers for any form of thanks. Even then it wasn’t forthcoming

For their table of pamphlets, the DHB got a framed gold disc as a sign of appreciation.

I got nothing.

It was the beginning of the end for me.

With the promotional and entrant numbers success (but appreciation fail) of Stage Challenge added to over two years of voluntary work experience, promotion, publicity and interaction, as well as my “tertiary marketing qualification” I applied to numerous local and national health promotion and similar, youth-orientated, agencies to try and get a foothold in paid employment at something I enjoyed doing and had been recognised (by a few at least) as being very good at.

The response: Nothing.

I gave up.

It wasn’t easy – When you dedicate all your free time over several years to something you believe in, enjoy and are good at, only to be shot down at every opportunity for advancement or even thanks it gets very physically and emotionally draining very quickly.

I packed up all my Smokefree things, returned them and walked away.

I went back to working for money, rather than enjoyment. It was all rather capitalistic and soulless.

I eventually found a job I loved in a bookshop. In that job I met someone I would go on to love and be loved by and end up marrying.

After some struggles the two of us would have a baby girl who we both love VERY much.

Love inspires – It encourages hope, it rekindles dreams, it makes you want to be a better person.

I started writing and promoting / “selling” ideas again – so I could be a better inspiration for my daughter, like my dad was for me.

But the shadows of an origami albatross started circling again….